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Molybaron (The Mutiny) CD

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Molybaron (The Mutiny) CD

Ltd. CD Digipak

Track Listing:

  1. Animals
  2. Lucifer
  3. Amongst The Boys And The Dead Flowers
  4. Prosperity Gospel
  5. The Lighthouse
  6. Slave To The Algorithm
  7. Something For The Pain
  8. The Hand That Feeds You
  9. Twenty Four Hours (feat. Whitfield Crane)
  10. Ordinary Madness
In divided times, the power of music is undeniable. When that music is ferociously original and defiantly uplifting, the impact is even greater. Formed in Paris, December 2014, by Dublin-born singer/guitarist Gary Kelly and Parisian guitarist Steven Andre, MOLYBARON have swiftly become one of the most talked-about bands in the modern metal scene. With a sound that encompasses everything from state-of-the-art tech-grooves and anthemic metal to multi-layered atmospherics and giant, muscular hard rock riffs beyond, the band’s eccentric flair always sets them apart from the rest. From the infectious aggression and giant hooks of opener “Animals”, to the thunderous denouement of crushing closer “Ordinary
$3.41

Original: $11.36

-70%
Molybaron (The Mutiny) CD—

$11.36

$3.41

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Description

Ltd. CD Digipak

Track Listing:

  1. Animals
  2. Lucifer
  3. Amongst The Boys And The Dead Flowers
  4. Prosperity Gospel
  5. The Lighthouse
  6. Slave To The Algorithm
  7. Something For The Pain
  8. The Hand That Feeds You
  9. Twenty Four Hours (feat. Whitfield Crane)
  10. Ordinary Madness
In divided times, the power of music is undeniable. When that music is ferociously original and defiantly uplifting, the impact is even greater. Formed in Paris, December 2014, by Dublin-born singer/guitarist Gary Kelly and Parisian guitarist Steven Andre, MOLYBARON have swiftly become one of the most talked-about bands in the modern metal scene. With a sound that encompasses everything from state-of-the-art tech-grooves and anthemic metal to multi-layered atmospherics and giant, muscular hard rock riffs beyond, the band’s eccentric flair always sets them apart from the rest. From the infectious aggression and giant hooks of opener “Animals”, to the thunderous denouement of crushing closer “Ordinary